ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super35-format camera boasting a new 4:3 4.6K sensor that delivers 2.5 of additional dynamic range, improved performance in low light, and a richer, more accurate color reproduction. This ALEXA 35 Body & ARRI PL Mount Set combines the ALEXA 35 camera with a Cine License, an LBUS PL mount, a B-mount battery plate, and a BUD-1 Utility Dovetail. Compact and easy to operate, the ALEXA 35 offers MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.uilt around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA Mini LF camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode.
The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA Mini LF is designed for use with ARRI’s LPL lens mount, available separately, which has been optimized for large-format capture and is compatible with all PL-mount lenses with the use of a separately available PL-to-LPL adapter. A wider diameter and shorter flange focal depth than the original ARRI PL mount enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.
The ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports.
4.6K Super35 ARRI ALEV 4 CMOS Sensor
Key to the ALEXA 35’s amazing image quality is a new 4.6K Super35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35’s wide dynamic range can also be a boon when tweaking your images in post.
- 17 Stops of exposure latitude
- 800 ISO base sensitivity
- In-camera recording to Codex Compact Industrial SSD / ARRIRAW
- Built in FSND 0.6, 1.2, 1.8 Filters
- 4.6K Super35 ARRI ALEV 4 CMOS Sensor
- Complete Look functions; import Looks
- Lightweight design / 6.4 lb / 2.9 kg
- For more info visit: https://www.arri.com/en/camera-systems/cameras/alexa-35
Codecs And Recording Time: https://www.arri.com/en/camera-systems/cameras/alexa-35/alexa-35-recording-formats